Ai Weiwei’s La Commedia Umana is a chandelier made of bones – glass, yes, but also memory. In this suspended skeleton, death becomes a language: not just of endings, but of surveillance, exile, power. Crafted in Murano glass, it’s a reminder that what we bury never truly disappears.

What if architecture wasn't about trends, but about truth?
Abdel-Wahid El-Wakil didn't just build houses - he built meaning. In domes and courtyards, he preserved a language older than blueprints: harmony, tradition, and soul. This is not nostalgia. It’s resistance. A reminder that real architecture has roots – and spirit.

Minimalism taught us to speak softly. Maximalism taught us to mean it. In 2025, design isn’t about clean vs. chaotic — it’s about clarity vs. character. This isn’t a style war. It’s a cultural shift. One that says: More isn’t the opposite of elegance. It’s what happens when identity gets loud.

He wasn’t just a rapper. He was proof.
Proof that German-Kurds exist — loudly, publicly, without apology.
From refugee child to record label boss, from gold heists to gold records, Xatar didn’t fit in.
So he broke through.
More than myth, more than scandal — he made space.
And gave a whole generation something they’d never had before:
Representation that felt real.

Denied a country. Split by borders. Forgotten by headlines. But the Kurds remain one of the world’s most resilient nations — rooted in resistance, rhythm, and remembrance. Their story isn’t past tense. It’s still unfolding.

Zoroastrianism shaped the world long before it was ready. From fire temples to Freddie Mercury, from divine dualism to pop culture’s deepest myths — this is the story of the world’s first monotheistic religion. Ancient, shrinking, but never irrelevant.